'Bigger isn’t always better': Why LAGG Distillery is taking a different path

Interviews
Saturday, 04 July 2026 at 07:41
Graham Omand Lagg Distillery

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On the southern tip of Arran, LAGG Distillery is quietly building one of the most intriguing young whisky stories in Scotland. Peated spirit, sherry casks and a clear sense of place are at the heart of its identity.
We got to talk to Graham Omand (37), distillery manager at Lagg Distillery, about Islay roots, the pressure of leading a young distillery, upcoming small batch releases and why LAGG could be one of the whisky names to watch closely on the road to 2030.

You grew up on Islay. What part of Islay did you bring to Lagg?

'Probably a sense of place first and foremost. Growing up on Islay taught me that whisky is tied to the landscape, the weather, the people and the pace of life. That’s stayed with me, from my time as a stillman in Lochranza to my role now as Distillery Manager at Lagg: respecting history, place and patience, while also thinking about where a young spirit can go next.'
Graham omand (1)

I read something about imposter syndrome when you just started. Can you elaborate?

'Aye, I think that’s true of quite a few people when they step into a new role, especially one with a lot of responsibility. At the beginning, you’re very aware of what’s at stake and how much you still have to learn. Over time, you settle into it, you trust your experience a bit more, and you realise that no one has all the answers from day one. You learn by doing, and by listening.'

LAGG Distillery was founded with a clear vision and identity. How do you see that identity evolving over the next 10 years?

'I don’t think the identity should change dramatically. It’s already got a clear direction, and that’s important for a young distillery. The spirit will continue to develop, of course, but the core idea should stay the same. If anything, the next 10 years should make Lagg’s style more obvious, more confident, and more trusted.'
Lagg bottle cask

How do you balance staying true to a young distillery’s DNA while adapting to global market pressures?

'It’s definitely a balance. There’s always pressure to move quickly, respond to trends, or try to fit into what the market seems to want at any given moment. But the danger with that is losing sight of the whisky itself. For me, the key is to stay grounded in the spirit and the process, then be flexible around how you present it. You can adapt on the commercial side without compromising the heart of what makes the distillery unique.'

How is LAGG Distillery experiencing the current whisky market?

'It’s a challenging market at the moment, and I think most distilleries would say the same. People are being more selective, and there’s more competition for attention than ever. But I also think that gives a distillery like Lagg a chance, because if you’re clear about who you are and what you’re making, people respond to that.'
Graham Omand Lagg Distillery warehouse

What does success look like for LAGG in 2030, scale, reputation, innovation, or something else?

'For me, success would be reputation first. If people know Lagg for whisky with its own distinctive voice - interesting and full of character - that would mean a lot. Scale matters for a healthy, sustainable business, but bigger isn’t always better. I’d want Lagg first seen as a distillery that does things properly, with an exciting future ahead, making whisky people are genuinely thrilled to drink.'

What are the plans for 2026 in terms of whisky and visitors? Are there any significant expansions planned in production capacity, warehousing, or visitor facilities?

'We’re in a really good place now. The distillery’s running well and the visitor centre is exactly what we hoped it would be - a variety of tours, tastings, good food, those unbeatable views… It all comes together nicely and gives people a real feel for Lagg. On the whisky side, the core range is there and something we’re proud to share always, and we’re also starting to explore some smaller batches in more interesting casks. It’s good fun and lets us show a different side of the spirit. Right now, we’re sticking to what works so well. We are always with an eye on the future, but nothing concrete planned for big expansions this year.'

Will we see more experimental releases- unusual cask types, longer fermentations, or alternative barley varieties?

'One of the advantages of a distillery like Lagg is that we’ve got the space to explore. The spirit’s got that contrasting mix of sweetness, peat and a nice oily weight to it, and we’ve found it works particularly well with drier styles of sherry cask. We released a Palo Cortado Small Batch last year, really nutty, salty and delicious, and this year we’re following that with a Manzanilla Small Batch edition. In terms of things like barley varieties or ppm, we do the odd bit of experimenting, but at the end of the day the casks need time. We’re only seven years in, so there’s no rush!'
LAgg Kilmory whisky

If we were to speak again in 3 years, what headline would you hope I’d be writing about LAGG?

'I’d hope it would be something that says Lagg has really come into its own. Something like “Lagg establishes itself as a standout whisky.” That would mean we’ve done the important work of defining who we are and building a whisky people connect with and want to enjoy.'

Can you hint at any upcoming release, collaboration, or milestone that hasn’t been publicly announced yet?

'We do have ideas, and there are things in development, but I don’t want to talk about anything before it’s ready. There will be more to come, and hopefully some nice moments along the way that people will be excited about when the time’s right.'

If there is only one whisky left in the world. What would yours be?

'That’s a hard one, for me it really depends what mood I’m in. If I had to pick though, I’d probably go for Arran 18. It’s balanced, it’s easy to sit with, it's tasty and it does exactly what you want it to without overcomplicating things. That said, I’d be just as tempted to go for a Bruichladdich, especially something like Black Art, with that intriguing coastal, slightly peated edge. It’s got texture, richness and you tend to get something new out of it at each sip.'
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